Music composed to the client cut, not picked from a catalog.

Agency teams can turn around edits, versions, ratios, captions, and localization quickly, then lose time searching for a track that almost fits. Stock music helps with discovery, but the same fixed intros, drops, and endings still have to be cut around.

Sonilo starts from the finished or near-final video. The music is generated for the actual duration, energy arc, edit points, and final frame, so teams can review a fitted cue instead of forcing the cut around a catalog track.

Upload the client cut, describe the creative direction, and generate multiple soundtrack options that match the same edit. A launch trailer can get a high-energy version, a premium cinematic version, and a sharper social hook without restarting music search from zero.

Because each cue is created against the video, reviewers can compare creative directions against the real pacing of the spot: opening hook, product reveal, supers, VO space, logo resolve, and end card.

Versioning is where music search quietly burns margin. A 15-second cutdown, 9:16 social version, retail edit, or client-requested revision can all break the original track timing. Sonilo gives teams a faster path to a fitted cue for every deliverable.

Use it when the edit is locked enough to score, but the project does not need a full custom composer workflow. The result is original, commercially licensed music shaped to the client video.

Sonilo is built for creative teams that already think in cuts, reviews, and deliverables. The workflow supports rapid direction testing, exact-length exports, client-safe commercial use, and music decisions that happen inside the video production process.

That makes it practical for paid social, product films, pitch edits, performance creative, brand systems, and content studio pipelines where every version needs a soundtrack that feels intentional.